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Search resuls for: "Lucy Garrett"


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A selection of her work in this vein is currently on display in the exhibition “Harmonia Rosales: Master Narrative” at the Spelman College Museum of Fine Art in Atlanta. At the core of Rosales’ art is the idea that “storytelling is a journey of personal discovery and a reclamation of one’s cultural identity." Elon Schoenholz/Harmonia RosalesAcross 20 oil paintings and a large-scale sculptural installation, Rosales’ work challenges viewers to consider the universality of creation through a Black diasporic lens. Rosales' work demonstrates her journey towards empowerment and self-love, with figures in her artworks painted with features she used to dislike about herself. Every one of these (artworks) tells my stories.”“Harmonia Rosales: Master Narrative” is on display at the Spelman College Museum of Art in Atlanta through December 2.
Persons: Adam, ” Sandro Botticelli’s “, Venus ”, Leonardo da Vinci’s, Harmonia Rosales, Barbara, Rosales, Elon, Rosales ’, Olodumare, orishas —, Lucy Garrett, it’s what’s, ” Rosales, , “ I’m, , Liz Andrews, , Andy Warhol, ’ ” Rosales, ” “, Harmonia Rosales “, I’m, Regla, Harmonia, Black Mary, Virgin Mary, Helen Morales, ” Lucy Garrett, ” Morales, Yemaya, “ They’ve, Angelou, Saint Bartholomew Organizations: CNN, Spelman College Museum of Fine Art, University of California, European, Masters, Spelman College Museum of Art, Andy Warhol Museum, Museum of Contemporary, Memphis Brooks Museum of Art, European Old Masters, Catholic, UCSB Locations: Britannica, Cuban American, Atlanta, Santa, Western Africa, Chicago, Pittsburgh, Brooklyn, Rosales, Cuba, Americas
The Year in Pictures 2022
  + stars: | 2022-12-19 | by ( The New York Times | ) www.nytimes.com   time to read: +57 min
Every year, starting in early fall, photo editors at The New York Times begin sifting through the year’s work in an effort to pick out the most startling, most moving, most memorable pictures. But 2022 undoubtedly belongs to the war in Ukraine, a conflict now settling into a worryingly predictable rhythm. Erin Schaff/The New York Times “When you’re standing on the ground, you can’t visualize the scope of the destruction. Jim Huylebroek for The New York Times Kyiv, Ukraine, Feb. 25. We see the same images over and over, and it’s really hard to make anything different.” Kyiv, Ukraine, Feb 26.
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